Literary Imagination Advance Access originally published online on April 17, 2009
Literary Imagination 2009 11(2):175-191; doi:10.1093/litimag/imp019
© The Author 2009. Published by Oxford University Press on behalf of the Association of Literary Scholars and Critics. All rights reserved. For permissions please e-mail: journals.permissions@oxfordjournals.org
The Nightingale's Drought, The Nightingale's Draught: On Metaphor, Magic, and Symbol
Dan Beachy-Quick*
*Colorado State University, USA
| The first 150 words of the full text of this article appear below. |
Rainbird, to what far off place
are you crying?
The world is overflowing
with that water.
The water where sea and sound
divide ...
—Kabir
 |
Drought
|
|---|
Drought threatens both the world and the poem. In the world,
drought destroys plants and the animals that eat them, destroys
the generative capacity of seed and stem and leaf; drought grows
dust. Drought in the poem grows dust in the mind. The image
of a plant may be dropped on the page, but the plant on the
page is a form of dust, it lacks a vital principle, and desiccates
the mind it enters. Experience plants such ill harvest. In
Songs of Experience, Blake writes of his pretty rose tree:
A flower was offered to me,
Such a flower as May never bore,
But I said, Ive a pretty rose tree,
And I passed the sweet flower of oer.
Then I turned to . . . [Full Text of this Article]
 |
Rain-Making and Metaphor
|
|---|
 |
Symbols and Circles
|
|---|
 |
Draught
|
|---|
 |
Last Words
|
|---|

CiteULike
Connotea
Del.icio.us What's this?